Difference between revisions of "Publications"
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| − | Gromala, D. Re-enervating Flesh: Organic Matter and Visceral Sensations of BioTechnologies, in Consciousness Reframed 8, Plymouth, England, 2006. | + | * Gromala, D. Re-enervating Flesh: Organic Matter and Visceral Sensations of BioTechnologies, in Consciousness Reframed 8, Plymouth, England, 2006. |
| − | Seo, J. Gromala, D. Touching Light:A Framework for Immersion in Artistic Environments, in Consciousness Reframed 8, Plymouth, England, 2006. | + | * Seo, J. Gromala, D. Touching Light:A Framework for Immersion in Artistic Environments, in Consciousness Reframed 8, Plymouth, England, 2006. |
| − | Johnston, D.J. Art, Consciousness and Immanence:A Panpsychic View, in Consciousness Reframed 8, Plymouth, England, 2006. [http://wiki.iat.sfu.ca/FeralComputingLab/images/8/87/DavidJhaveJohnston_Panpsychism.pdf PDF] & [http://year01.com/jhave/CR8/CR8_PRESENTATION.swf Presentation] | + | * Johnston, D.J. Art, Consciousness and Immanence:A Panpsychic View, in Consciousness Reframed 8, Plymouth, England, 2006. [http://wiki.iat.sfu.ca/FeralComputingLab/images/8/87/DavidJhaveJohnston_Panpsychism.pdf PDF] & [http://year01.com/jhave/CR8/CR8_PRESENTATION.swf Presentation] |
| − | Oppenheimer, R., ''Video Installation: Characteristics of an Expanding Medium'', in '''Afterimage: The Journal of Media Arts and Cultural Criticism''', Vol. 34, No. 5, Rochester, NY, 2007. | + | * Oppenheimer, R., ''Video Installation: Characteristics of an Expanding Medium'', in '''Afterimage: The Journal of Media Arts and Cultural Criticism''', Vol. 34, No. 5, Rochester, NY, 2007. |
| − | Oppenheimer, R., ''Visions and Hindsights: Seattle’s and/or Alternative Art Space 1974-1984'', in '''A Closer Look/Hidden Histories''', National Alliance of Media Arts and Culture publication, San Francisco, 2006. | + | * Oppenheimer, R., ''Visions and Hindsights: Seattle’s and/or Alternative Art Space 1974-1984'', in '''A Closer Look/Hidden Histories''', National Alliance of Media Arts and Culture publication, San Francisco, 2006. |
| − | Sam, J. Exploring Unconventional Interfaces for Racecars, in Thinking Through New Media, Duke University, Durham, USA, 2006. (http://isis.duke.edu/events/TTNM/) | + | * Sam, J. Exploring Unconventional Interfaces for Racecars, in Thinking Through New Media, Duke University, Durham, USA, 2006. (http://isis.duke.edu/events/TTNM/) |
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Revision as of 18:50, 10 May 2007
2007
- Seo, J. an Gromala, D. (2007), 'Touching Light: A new Framework for immersion in artistic environments', Technoetic Arts 5:1, pp. 3-14, doi: 10.1386/tear.5.1.3/1
- in press
-92, 2007
2006
- Gromala, D. Re-enervating Flesh: Organic Matter and Visceral Sensations of BioTechnologies, in Consciousness Reframed 8, Plymouth, England, 2006.
- Seo, J. Gromala, D. Touching Light:A Framework for Immersion in Artistic Environments, in Consciousness Reframed 8, Plymouth, England, 2006.
- Johnston, D.J. Art, Consciousness and Immanence:A Panpsychic View, in Consciousness Reframed 8, Plymouth, England, 2006. PDF & Presentation
- Oppenheimer, R., Video Installation: Characteristics of an Expanding Medium, in Afterimage: The Journal of Media Arts and Cultural Criticism, Vol. 34, No. 5, Rochester, NY, 2007.
- Oppenheimer, R., Visions and Hindsights: Seattle’s and/or Alternative Art Space 1974-1984, in A Closer Look/Hidden Histories, National Alliance of Media Arts and Culture publication, San Francisco, 2006.
- Sam, J. Exploring Unconventional Interfaces for Racecars, in Thinking Through New Media, Duke University, Durham, USA, 2006. (http://isis.duke.edu/events/TTNM/)
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