FeralComputingLab - User contributions [en]

Helpful Readings

2007-10-23T21:05:29Z

Jsama:

'''The Craft of Research'''

*Chapter 3: From Topics to Questions [http://wiki.iat.sfu.ca/FeralComputingLab/images/8/8d/CraftOfResearchChapter3.pdf PDF]

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'''But Is It Art'''

* [[Media:Chapter1.zip | Chapter 1 : Blood and Beauty]]

* [[Media:Chapter2.zip | Chapter 2 : Paradigms and Purposes]]

* [[Media:Chapter1.zip | Chapter 3 : Cultural Crossings]]

* [[Media:Chapter2.zip | Chapter 4 : Money, Markets, Museums]]

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'''What is it like to be a bat?'''

* http://members.aol.com/NeoNoetics/Nagel_Bat.html

Schedules

2007-09-09T17:40:05Z

Jsama:

== FALL07 ==

*DGr's Weekly schedule for Fall 2007
{| border="1"
|-
| || Monday || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday
|-
|8am || || || || research || research |x||x
|-
|9am || || || || research || researchx ||x||x
|-
|10am || || || || research || research ||x||x
|-
|11am || || || || research || research ||x||x
|-
|12 pm || || Director's || || research|| research ||x||x
|-
|1pm || || Feral Meeting || || research|| research ||x||x
|-
|2pm || || Feral Meeting || || research || research ||x||x
|-
|3pm || ||BarneSong|| IAT 102 || research || research||x||x
|-
|4pm || || || IAT 102 || research || research ||x||x
|-
|5pm || || || IAT 102 || research|| research ||x|| x
|-
|6pm || || || IAT 102 ||research || research||x|| x
|-
|7pm || || || IAT 102 || research ||research||x|| x
|-
|8pm || || || || research || research||x|| x
|-
|9pm || || || || research || research||x|| x
|-
|10pm || || || || research || research||x|| x
|-
|}

== SUMMER07 ==

* Diane: Vancouver except for April 18-21, May 20-27, middle 2 weeks of July

* Aaron: Vancouver

* Jhave: Vancouver

* Jack: undetermined

* Jinsil: Vancouver except NIME CONF & NYC research June 5-18, August 4-10

* Meehae: Vancouver

* Robin: Mostly in Seattle but plan to come to Vancouver twice a month at least. My tentative Surrey schedule is:
May 22-24
June 4-6
June 18-20
July 9-11
July 23-25

* Wanda: on leave

Helpful Readings

2007-09-04T19:30:37Z

Jsama:

The Craft of Research - Chapter 3: From Topics to Questions [http://wiki.iat.sfu.ca/FeralComputingLab/images/8/8d/CraftOfResearchChapter3.pdf PDF]

File:CraftOfResearchChapter3.pdf

2007-09-04T19:28:11Z

Jsama:

Helpful Readings

2007-09-04T19:27:55Z

Jsama:

The Craft of Research - [[Media:Chapter 3: From Topics to Questions
]]

Helpful Readings

2007-09-04T19:27:39Z

Jsama:

The Craft of Research - Chapter 3: From Topics to Questions

Main Page

2007-09-04T19:27:08Z

Jsama:

== '''Feral Computing Lab''' ==

School of Interactive Arts and Technology (SIAT), Simon Fraser University

Professor: '''Diane Gromala'''

The Feral Computing Lab is dedicated to creatively exploring
the relationships among art, technology, and the biosciences. Our interests range across disciplines: biomedical phenomenology, open source DNA, visceral forensics, genome hacking, affective biometrics, and biomolecular networking.

Projects in the Feral Computing Lab emphasize the role that aesthetics, design, and representation play in our broad understanding of biotechnology, biomedicine, and related fields. Many projects involve collaboration with SFU colleagues and students in computer science, biomedical engineering, bioinformatics, electrical engineering, and architecture.

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'''[[People]]''' | '''[[Schedules]]'''

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'''[[Projects]]'''

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'''[[Publications]]''' | '''[[Exhibitions]]'''

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'''[[Ongoing Collection of Conferences / Festivals]]'''

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'''[[Upcoming Deadlines]]'''

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* [http://www.sshrc.ca/web/apply/program_descriptions/itst/research_e.asp Image, Text, Sound and Technology (ITST):Research Grants] Call for Grant Application Deadline : '''17 September 2007'''

* [http://transmediale.de/site/competition+M54a708de802.html transmediale.08] Call for Entries Deadline : '''7 September 2007'''

* [http://acroe.imag.fr/enactive07 Enactive / 07] Call for Atelier and Exhibit space proposal Deadline : '''10 September 2007'''

* [http://www.chi2008.org/ CHI2008] Call for Papers Deadline : '''19 September 2007'''

* [http://plaza.bunka.go.jp/english/2007/boshu/ Japan Media Arts Festival] Call for Entries Deadline : '''5 October 2007'''

'''[[Grant Deadlines]]'''

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'''[[LAB Resources]]'''

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* '''[[Booking Page]]'''

'''[[Feral Computing Lab Meeting]]'''

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'''[[To Do]]'''

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'''[http://sr-vagus.iat.sfu.ca/~jhave/feral/ Projects]'''

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'''[[Travel]]'''

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'''[[Letters of Recommendation]]'''

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'''[[Reimbursements]]'''

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'''[[Helpful Readings]]'''

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FeralComputingLab:About

2007-02-09T06:14:34Z

Jsama:

Main Page

2007-02-09T06:13:24Z

Jsama:

== '''Feral Computing Lab''' ==

School of Interactive Arts and Technology (SIAT), Simon Fraser University

Professor: '''Diane Gromala'''

The Feral Computing Lab is dedicated to creatively exploring
the relationships among art, technology, and the biosciences. Our interests range across disciplines: biomedical phenomenology, open source DNA, visceral forensics, genome hacking, affective biometrics, and biomolecular networking.

Projects in the Feral Computing Lab emphasize the role that aesthetics, design, and representation play in our broad understanding of biotechnology, biomedicine, and related fields. Many projects involve collaboration with SFU colleagues and students in computer science, biomedical engineering, bioinformatics, electrical engineering, and architecture.

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'''[[People]]'''

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'''[[Projects]]'''

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'''[[Publications]]'''

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'''[[Ongoing Collection of Conferences / Festivals]]'''

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'''[[Upcoming Deadlines]]'''

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* PRIX Ars Electronica 2007 Entry Deadline : '''09 March 2007''' 

* Juried International Networked Art Competition Call for Proposals '''31 March 2007''' 

* New Forms Festival 2007 Entry Deadline : '''01 April 2007''' 

* SIGGRAPH2007 Short Papers & Posters Deadline : '''27 April 2007''' 

* ICAT2007 Call for Papers Deadline : '''01 July 2007''' 

'''[[Grants]]'''

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'''[[Feral Computing Lab Meeting]]'''

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[[http://sr-vagus.iat.sfu.ca/~jhave/feral/ Projects ]]

People

2007-02-09T03:06:23Z

Jsama:

'''Professor :'''

'''''Diane Gromala'''''

Associate Professor, SIAT

BioMedia, BioTechnologies, Interface design, Philosophies of embodied experience, Interactive Medical visualizations for pain & meditation.

'''Graduate Students:'''

'''''Aaron Levisohn'''''

Ph.D. Student, SIAT

Tactile interfaces, Physical computing, Philosophies of Interaction and Embodiment

'''''Jinsil Seo'''''

Ph.D. Student, SIAT

Immersive and responsive environment, Physical computing, Biomedia, Experimental and natural material research

'''''Robin Oppenheimer'''''

Ph.D. Student, SIAT

Media art history, Video installation history, Art and technology collaborations, Media and its connections to language and human consciousness

http://wiki.iat.sfu.ca/9Evenings/index.php/User:Roppenhe

'''''Wanda Gregory'''''

Ph.D. Student, SIAT

Game and Health

'''''David Jhave Johnston'''''

Master Student, SIAT

Consciousness, Digital poetry, Online interfaces

http://www.glia.ca

'''''Jack Sam'''''

Master Student, SIAT

Racing Car interfaces

'''''Beth Dillon'''''

Ph.D. Student, SIAT

Interactive storytelling, concepts of indigenous art, games research

'''''Meehae Song'''''

Master Student, SIAT

Virtual Reality, Biofeedback, EEG

'''Welcomed Squatters:'''

'''''Jayme Cochrane'''''

Undergraduate Student, SIAT

Interaction Design, Culture, Business Objects

'''''Kirsten Johnson '''''

Master Student, SIAT

Interactive Narrative

'''''Steven Barnes'''''

Master Student, SIAT

Neuroscience

'''Collaborators: Artists, Curators, Scholars'''

People

2007-02-09T03:05:49Z

Jsama:

'''Professor :'''

'''''Diane Gromala'''''

Associate Professor, SIAT

BioMedia, BioTechnologies, Interface design, Philosophies of embodied experience, Interactive Medical visualizations for pain & meditation.

'''Graduate Students:'''

'''''Aaron Levisohn'''''

Ph.D. Student, SIAT

Tactile interfaces, Physical computing, Philosophies of Interaction and Embodiment

'''''Jinsil Seo'''''

Ph.D. Student, SIAT

Immersive and responsive environment, Physical computing, Biomedia, Experimental and natural material research

'''''Robin Oppenheimer'''''

Ph.D. Student, SIAT

Media art history, Video installation history, Art and technology collaborations, Media and its connections to language and human consciousness

http://wiki.iat.sfu.ca/9Evenings/index.php/User:Roppenhe

'''''Wanda Gregory'''''

Ph.D. Student, SIAT

Game and Health

'''''David Jhave Johnston'''''

Master Student, SIAT

Consciousness, Digital poetry, Online interfaces

http://www.glia.ca

'''''Jack Sam'''''

Master Student, SIAT

Racing Car interfaces

'''''Beth Dillon'''''

Ph.D. Student, SIAT

Interactive storytelling, concepts of indigenous art, games research

'''''Meehae Song'''''

Master Student, SIAT

Virtual Reality, Biofeedback, EEG

'''Welcomed Squatters:'''

'''''Jayme Cochrane'''''

Undergraduate Student, SIAT

Interaction Design, Culture, Business Objects

''''Kirsten Johnson'''''

Master Student, SIAT

Interactive Narrative

'''''Steven Barnes'''''

Master Student, SIAT

Neuroscience

'''Collaborators: Artists, Curators, Scholars'''

Projects

2007-02-09T03:05:02Z

Jsama:

'''MeatBook'''

[[Image:Metbook.jpg]]

A project that provokes users' senses of their visceral responses. A time-based (that is, decaying) slab of meat, constructed as a book, is embedded with various sensors that cause the meat to react and quiver as the viewer approaches it. The reanimated flesh also responds with other movements and sound when users touch it. The next stage of development includes artificial intelligence and explores notions of generative art.

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'''Biomorphic Type™'''

[[Image:Biotype.jpg]]

BioMorphic Typography is Gromala's term for a family of fonts that respond, in real-time, to a user's changing physical states, as measured by a biofeedback device. Rather than one typeface, it is a postmodern pastiche of many different fonts that are continually morphing. So, for example, the font "throbs" as the user's/writer's heart beats, expands as the user breathes, and "spikes" according to galvanic skin response. In this way, users become aware of their autonomic states -- physiological states that usually remain under our conscious awareness. This project is part of a larger initiative, Design for the Senses. The goal is to develop new approaches to experiential design that focus on the senses and the phenomenological history of the body.

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'''Meditation Chamber'''

[[Image:MeditationC.jpg]]

The Meditation Chamber is an immersive VR environment that provides users with real-time feedback. Wearing a head-mounted display and biofeedback device, users are guided through a series of relaxation and meditation techniques. In real-time, the audio and visuals are synced to the users' continually changing physiological states (respiration, pulse rate and sweat gland activity (a measure of calmness)). As users' approach meditative states, the hypnotic visuals dissolve to moving mist and darkness as the user relaxes. Exhibited at SIGGRAPH's Emerging Technologies, and seen on CNN.

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'''Amputation Box(2006)'''

Artists : David Jhave Johnston, Jinsil Seo, Diane Gromala

Amputation Box is an art installation that feeds a website.

It's just a few boxes boxes with holes in them. Holes are finger-sized, hand-sized, and head-sized. Light comes out of the holes. Every object poked into the holes is visually amputated and redisplayed as landscape or organism: horizon flesh, or creeping or flying flesh.

The Amputation Box website updates dynamically each time a new morsel of flesh video is amputated and automatically added to the archives on the server. Physical and online spaces form a continuum. The physical Amputation Boxes feed the Amputation Box website.

It is about birth, death, rebirth and how each body is part of a larger body. The embodied body and the online body.

It is a visual meditation on molecular reincarnation designed to generate nano-epiphanies. It exists virtually, physically, and mentally.

Online real-time reincarnation.

[[Image:AmputationBox all.jpg]]

''Exhibition History''

New Forms Festival 2006 http://www.newformsfestival.com/

FILE 2006 http://www.file.org.br

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'''Novel Race Car Interfaces(2006)'''

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'''AR equipment (2006)'''

File:Metbook.jpg

2007-02-09T03:04:45Z

Jsama:

File:AmputationBox all.jpg

2007-02-09T03:03:49Z

Jsama:

File:MeditationC.jpg

2007-02-09T03:02:36Z

Jsama:

File:Biotype.jpg

2007-02-09T03:02:13Z

Jsama:

Publications

2007-02-09T02:59:37Z

Jsama:

'''2006'''

Gromala, D. Re-enervating Flesh: Organic Matter and Visceral Sensations of BioTechnologies, in Consciousness Reframed 8, Plymouth, England, 2006.

Seo, J. Gromala, D. Touching Light:A Framework for Immersion in Artistic Environments, in Consciousness Reframed 8, Plymouth, England, 2006.

Johnston, D.J. Art, Consciousness and Immanence:A Panpsychic View, in Consciousness Reframed 8, Plymouth, England, 2006. [http://wiki.iat.sfu.ca/FeralComputingLab/images/8/87/DavidJhaveJohnston_Panpsychism.pdf PDF] & [http://year01.com/jhave/CR8/CR8_PRESENTATION.swf Presentation]

Oppenheimer, R., ''Visions and Hindsights: Seattle’s and/or Alternative Art Space 1974-1984'', in '''A Closer Look/Hidden Histories''', National Alliance of Media Arts and Culture publication, San Francisco, 2006.

Sam, J. Exploring Unconventional Interfaces for Racecars, in Thinking Through New Media, Duke University, Durham, USA, 2006. (http://isis.duke.edu/events/TTNM/)

File:DavidJhaveJohnston Panpsychism.pdf

2007-02-09T02:59:00Z

Jsama:

Publications

2007-02-09T02:55:27Z

Jsama:

'''2006'''

Gromala, D. Re-enervating Flesh: Organic Matter and Visceral Sensations of BioTechnologies, in Consciousness Reframed 8, Plymouth, England, 2006.

Seo, J. Gromala, D. Touching Light:A Framework for Immersion in Artistic Environments, in Consciousness Reframed 8, Plymouth, England, 2006.

Johnston, D.J. Art, Consciousness and Immanence:A Panpsychic View, in Consciousness Reframed 8, Plymouth, England, 2006. [http://wiki.iat.sfu.ca/feral/images/8/87/DavidJhaveJohnston_Panpsychism.pdf PDF] & [http://year01.com/jhave/CR8/CR8_PRESENTATION.swf Presentation]

Oppenheimer, R., ''Visions and Hindsights: Seattle’s and/or Alternative Art Space 1974-1984'', in '''A Closer Look/Hidden Histories''', National Alliance of Media Arts and Culture publication, San Francisco, 2006.

Sam, J. Exploring Unconventional Interfaces for Racecars, in Thinking Through New Media, Duke University, Durham, USA, 2006. (http://isis.duke.edu/events/TTNM/)

Conferences, Festivals

2007-02-09T02:52:09Z

Jsama:

== Art Exhibition + Paper ==

'''SIGGRAPH''' (http://www.siggraph.org)
SIGGRAPH 2006
July 30 - August 3, 2006 Boston

'''ISEA (Inter-Society for the Electronic Arts) ''' (http://www.isea-web.org)
ZeroOne San Jose, ISEA 2006 Symposium (http://isea2006.sjsu.edu)
August 7-13, San Jose

'''ARS ELECTRONICA ''' (http://www.aec.at/en/index.asp)
PRIX ARS ELECTRONICA 2006
August 31 - September 5, 2006 Linz

'''Nime 06''' (http://recherche.ircam.fr/equipes/temps-reel/nime/)
New Interfaces for Musical Expression
June 4-8 2006, Paris, France

'''ACM Multimedia 2006''' (http://www.mmdb.ece.ucsb.edu/acmmm06/) October 23-27, Santa Barbara, CA

'''ACE''' ADVANCES IN COMPUTER ENTERTAINMENT TECHNOLOGY

'''IV(Information Visualization)''' (http://www.graphicslink.co.uk/IV06/)

== Art Exhibition ==

'''New Forms Festival''' (http://www.newformsfestival.com/index.php)
NFF6, Transformations
September 19-24, 2006

'''European Media Art Festival''' (http://www.emaf.de/)

'''Transmediale''' (http://www.transmediale.de/page/whatis/home.0.1.html)
Transmediale 2007
Jan.31 - Feb.4 2007, Akademie der Kuenste(Academy of Arts), Berlin

'''Biennale of Electronic Arts ''' (http://www.beap.org/)

'''Boston Cyberarts Festival''' (http://bostoncyberarts.org/)

'''FILE''' (http://www.file.org.br/)

'''Japan Media Art Festival''' (http://plaza.bunka.go.jp/english/festival.html)

'''Images Festival 2007''' (http://www.imagesfestival.com/index-iF.php)
Film & Video | New Media | Installations
April 5-14, 2007

'''Asia Digital Art Award''' http://adaa.jp

== Paper Presentation ==

'''SIGCHI ''' (http://www.chi2006.org)
CHI2006 : Interact. Inform. Inspire
April 22-27, 2006 Montreal

'''Consciousness Reframed '''
Consciousness Reframed 8 http://www.planetary-collegium.net/conferences/detail/200607
July 21-23, 2006 University of Plymouth, UK

'''Subtle Technologies''' (http://www.subtletechnologies.com/)
Responsive Architectures
1-4 June 2006, University of Toronto, Canada

'''Presence 2006''' (http://ispr.info/)
August 24-26 Cleveland, Ohio, USA

'''TEI 07''' Tangible and Embedded Interaction 2007 (http://tangviz.cct.lsu.edu/tei07/index.html) February 15-17 in Baton Rouge, Louisiana, USA

'''Creativity & Cognition Conference 2007''' (http://www.cs.umd.edu/hcil/CC2007/) June 13-15, 2007 Washington DC

'''IDEC(International Design and Engagability Conference)''' 15th October @ NordiCHI Oslo

'''Ubicomp 2006''' (http://www.ubicomp.org/ubicomp2006/) September 17-21, 2006 Orange County

'''British HCI 2006''' (http://www.hci2006.org) 11-15 September 2006 Queen Mary, University of London

September, 2006

2007-02-09T02:51:32Z

Jsama:

'''September 8.''' Transmediale 2007 Call for Competition, Festival, Club

'''transmediale.07: festival for art and digital culture berlin''' :: 31 January - 4 February 2007 :: '''club transmediale.07: international festival for electronic music and related visual arts''' :: 26 January - 3 February 2007. '''Call for Entries''': :: Deadline: 8 September 2006 :: Award Ceremony: 3 February 2007.

http://www.turbulence.org/blog/archives/002662.html

August, 2006

2007-02-09T02:50:07Z

Jsama:

July, 2006

2007-02-09T02:48:22Z

Jsama:

== July 2006 ==

'''July 1.''' Call for artworks - INTERFACE and SOCIETY exhibition

INTERFACE and SOCIETY

a project by Atelier Nord http://anart.no

exhibition Nov.10th - Nov.19th 2006

at Henie Onstad Kunstsenter Oslo Norway.
http://anart.no/projects/interface-and-society/

Atelier Nord is looking for artworks/installations
concerning the transformation of our everyday live
through electronic interfaces (see details below).

APPLICATION DEADLINE 1st July 2006.

Please apply via email to sense@anart.no
subject: INTERFACE and SOCIETY exhibition
with the following information:

1) Project name / year of production

2) Artist name(s) + email / contact information

3) Short project description

4) Project URL + URL for online documentation (pdf, pictures, video)

5) Short CV

Alternatively you can send the requested information via snailmail to:

Atelier Nord
Lakkegata 55 D
N-0187 Oslo Norway
ad: INTERFACE and SOCIETY exhibition

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'''July 5.''' Call for Artists : DISONANCIAS 2006 (Art and Innovation)

http://www.disonancias.com/

GRUPO XABIDE

Call for Artists to produce joint research projects in Research labs and R&D units in Spain (Basque Country).

Deadline: 5th July 2006

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'''July 10.''' NordiCHI 2006

AESTHETIC ARTEFACTS

NordiCHI 2006 encourages the submission of "aesthetic artefacts" and follows
the trend that was started at NordiCHI 2002. The submission category promotes
experiments into how artistic expression and praxis affect perspectives on
interfaces, contexts and design.

Examples of possible artefacts include (but are not limited to):
interactive artworks, computer games, interactive installations, net art,
software art, artistic interfaces, aesthetic experiments with HCI-related
issues. Accepted aesthetic artefacts will be exhibited at the conference in
conjunction with the interactive event session. See the conference website for
details.

NordiCHI 2006, the fourth Nordic HCI conference, will take place in Oslo
between October 14 and 18.

See the conference website: http://www.nordichi.org/2006

[[More about NordiCHI 2006]]
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'''July 15.''' Dispatx New Edition | Call for Submissions

http://www.dime2006.org/topic/

Dispatx Art Collective are pleased to announce the publication of our fifth edition, The Plague of Language. Fifteen projects related to the theme can be seen online at www.dispatx.com, featuring poetry by JH Prynne and Rod Mengham, sound pieces from Paul Whitty and Chris Mann, and a full length interview with Marc D Hauser of Harvard University.

More : http://dispatx.com/current/

We are also actively seeking proposals for collaborative projects related to the new theme in exploration : Improvised Maps. This theme explores correlation, translation and recursion. It relates closely to the creative method – the organising process which translates creative vision into creative output.

More : http://www.dispatx.com/wip/

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'''July 15.''' CALL FOR Art Works : DIME2006

1st International Conference on Digital Interactive Media Entertainment & Arts

Deadline for DIME RESEARCH ART Submision is extended to 15th JULY 2006.
WHAT YOU NEED TO SUBMIT
Submission: an exhibition submission consists of three required components:

A minimum two page paper that describes the project (artistic motivation, description, technical details, etc.)
A project information sheet that describes installation requirements
Supporting materials (photos, videos, URL, or CDs/DVDs only if on-line submission is not possible)
If the work is accepted, the paper is published in the main conference proceedings. Thus, the paper is a mandatory component of the submission. All 3 components of the exhibition submission play a role in the decision. The paper will be reviewed by the International Art Program Committee for correctness and quality. The supporting materials will also be reviewed by the International Art Program Committee to evaluate artistic merit. The Art Program chairs will make the final decisions based on the reviews and their independent evaluation, after discussing each submission. The selection criteria will be artistic merit and alignment with the context of the exhibition.

All papers describing work selected will be part of the conference and will therefore be published in the Conference proceedings. Authors are responsible for obtaining all of the necessary permissions to publish their works.

HOW TO SUBMITT YOUR ARTWORK
Please read these instructions carefully. Incomplete submissions will be rejected without review. All of the following MUST be submitted via e-mail ONLY to dime@inmeet.com.sg

Each submission to the art exhibition should include the following THREE components:

1.COMPLETE PAPER

This two page minimum and maximum eight page paper will be published in the proceedings of the conference for selected work. The statement should have an abstract, discuss related work, artistic motivation, and technical details. The paper submissions must use the exact ACM SIG templates. Please find the template at http://www.acm.org/sigs/pubs/proceed/template.html. Please use the style "Strict Adherence to SIGS style - (Sheridan Printing)" on that page. There are also word and word perfect templates linked on the template page.Each paper submission is to be accompanied by a copyright form, CLICK HERE to download the form, complete it and fax it back to the conference secretariat at +65 6356 7471. Papers that do not adhere to the 2 page limit and do not use the template will be rejected without review.

2.COMPLETE PROJECT INFORMATION SHEET

It should include the following CONTACT INFORMATION:

Last Name:
First Name:
Mailing address:
City:
Country:
Zip Code:
E-mail Address:
Telephone:
Website:
PROJECT INFORMATION

Project Title:
Brief Description of the Project (please be brief)
Is the work completed? (Yes/No)
If no, when do you expect to complete the work?
What are the technical requirements for the exhibition of the work (be specific: computer equipment, etc.)?
What of the technical requirements you can provide? Please note that the artist must provide specific machinery or especial components.
What are the installation requirements for the exhibition of the work (space, light conditions, etc..)? Please provide a layout indicating approximate dimensions, plugs, etc
What is the time requirement for assembling and dismantling the work?
Please list all supplemental materials included with this submission. List the materials by name, file format (s) and whether the materials are submitted via e-mail or via post.
SUPPORTING MATERIALS

We strongly encourage e-mail submission of all supporting materials. Please include supporting materials relevant to the project (images, sounds, videos, links to websites, etc.). All supporting materials should be compressed in a zip file and sent as a single file. There is a 20 MB limit on the size of the file containing supporting materials. (Email us if the size limit is a problem).

In cases where e-mail submission of supplemental materials is not possible, please send by mail to the conference secretariat.

Important: Supporting materials submitted via post must be postmarked before 15th July 2006.

ADDITIONAL INFORMATION

Artists whose work is selected for the art exhibition are required to register and attend the conference. The conference and/or sponsors provide equipment for the exhibition whenever possible. Artists, however, are fully responsible for installation, delivery, and return of artworks, as well as for travel and accommodation expenses. In cases where the work is selected but installation requirements cannot be met, alternatives may be discussed with the artist.

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'''July 28.''' CALL FOR ENTRIES : Mobile&DMB Fest 2006

Mobile&DMB Fest 2006 is open for entries of the competition section Mobile Express for international works as well as Korean works. Organized by Seoul Moving Image Forum and presented by Seoul Film Festival Executive Committee, Mobile&DMB Fest is trying to introduce brilliant works through New Media such as mobile and DMB. We sincerely hope you consider this an exciting opportunity to show your great endeavors in the new environment of digital art works.

WHEN : September 8 - 30, 2006

Screening of Competition Section and Out-of-Competition Section

WHERE : Mobile and DMB (broadcasting channel to be confirmed)

SeNef website and Media Lounge, Supporting organizations¡¯ and sponsors¡¯ website, portal site

Mobile&DMB Fest 2006 SUBMISSION DEADLINE : July 28, 2006 (Arrived)

ELIGIBILITY

For the competition section, only works completed after January 2005 may be submitted to the festival. Submissions should be creative works produced or adopted through digital technology. There will be no restrictions regarding genre or subject matter of the work and all types of works, including fiction, documentary, experimental, music video, animation, motion graphic, flash animation, game, web-art, etc. will be accepted. Running time should be under 20 minutes.

MATERIALS REQUIRED FOR SUBMISSIONS :

1) Application Form (available at http://www.senef.net)

2) 1 still picture and 1 photo of director (300 dpi JPG file)

3) Preview material (VHS-Tape, DV 6mm, DVD, CD, File-Transferring or URL address for preview)

* For File-Transferring indications, please contact us to program3@senef.net

Contacts Mobile&DMB Fest 2006 Program Dept.

(135-090) 5F, Youahn Bldg. 146-23 Samsung-Dong, Kangnam-Gu, Seoul, Korea

Tel. 82-2-518-4332 / Fax. 82-2-518-4333

program3@senef.net

http://www.senef.net

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'''July 28.''' Call for Submissions

Digital Space is a commissioning scheme run by Lovebytes to support creative people using digital technology.

We are currnetly seeking proposals for projects that are creative and innovative in the use of digital technologies and suitable for public exhibtion.

Applications are invited for the production and/or exhibition of new work. This work may be yet to be made, in-progress or existing. Any work that has been substantially digitally created or that relates substatially to digital culture will be considered. We would like to present the finished work to a broad public audience. Having said that, proposals that push the boundaries of exhibition, intervention and audience interaction are very welcome. The work may be for a standalone exhibition in a gallery or it could be site specific to a public place in Sheffield, it could be only available in a digital format for physical distribution, broadcasting or for downloading to computer or mobile platform (or any combination of these).

Digital Space commissions are presented as part of the annual Lovebytes Festival and at a variety of partner venues throughout the year including The Showroom Cinema, Workstation, University of Sheffield and the Millennium Galleries in Sheffield. The most recent Digital Space Commission is Bit Scapes by HFR-LAB, a three screen video installlation shown as part of Lovebytes at Millennium Galleries, 20 March - 11 June 2006.

For more information : http://festival2006.lovebytes.org.uk/commissions/

June, 2006

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== June 2006 ==

'''June 23.''' The 16th Flashforward Film Festival

FLASHFORWARD2006 AUSTIN, TEXAS

HILTON AUSTIN

SEPTEMBER 11-14, 2006

Nominate a '''Flash site''' for the 16th Flashforward Film Festival!

Nomination Form: http://www.flashforwardconference.com/nominate

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'''June 30.''' IEEE Symposium on Information Visualization 2006

New this Year

'''InfoVis Art Exhibit'''

Information visualization is traditionally viewed as a tool for data
exploration and hypothesis formation. In recent years, however, both the
mainstreaming of computer graphics and the democratization of data
sources on the Internet have had important repercussions in the field of
information visualization. With the ability to create visual
representations of data on home computers, artists and designers have
greatly expanded the practice of infovis as artistic pursuit.

In its first edition, the InfoVis Art Exhibit examines the merging of
artistic intention and visualization technique. We are looking for
artwork that reveals data patterns in aesthetic, innovative ways.

The InfoVis Art Exhibit will consider the following types of work:
* interactive CD/DVD-ROM work
* interactive web-based work
* printed artwork

Accepted art submissions will be included electronically on the IEEE
Visualization 2005 Conference DVD, shown during the InfoVis symposium,
placed on the official infovis.org web site, and the summary will be
distributed in a hardcopy compendium to all symposium and conference
attendees.

For instructions on how to submit your work, see submission page at:
http://conferences.computer.org/infovis/infovis2006/art_show_c.html

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'''June 30.''' Images Festival (Toronto) 2007 call for Installation, New Media, Performance submissions

CALL FOR SUBMISSIONS IMAGES FESTIVAL 2007 Toronto, Ontario, CANADA

'''//INSTALLATION // NEW MEDIA// LIVE IMAGES //'''

The Images Festival annually exhibits a selection of media arts installations, new media artworks and "Live Images" performance as part of our annual festival. Images works with several Toronto galleries and other alternative exhibition spaces to show media art installations which incorporate the moving image, interactive media and performativity.

Please check our web archive for information on our exhibition history http://www.imagesfestival.com

Among the artists whose installations and new media works have been featured in past festivals: Harun Farocki, Pipilotti Rist, Steve McQueen, Stan Douglas,Bjørn Melhus, David Rokeby, Masashi Iwasaki & Tadasu Takamine, Jane & Louise Wilson, John Greyson, Bob Ostertag & Pierre Hébert, Gustavo Artigas, Carolee Schneemann, Judy Radul, Richard Fung, Luke Jerram, Paulette Phillips, Joe Kelly, Nell Tenhaaf, Jean-François Guiton, Daniel Olson, Deanna Bowen, Haruki Nishijima, Gebhard Sengmüller, Marion Coutts, Willy LeMaitre & Eric Rosenzweig, Adriana Arenas Ilian, Michael Snow, Althea Thauberger, Taras Polataiko, Dara Gellman & Leslie Peters, Michelle Teran, badpacket.

DATES Early deadline for receipt of entries: 30 June 2006 (NO ENTRY FEE!)

PDF's of submission & guideline forms are downloadable at http://www.imagesfestival.com/generic.php?id=28&heading=submissions

For more information, or to have a submission form sent to you please contact <submissions@imagesfestival.com>

Best regards,

THE IMAGES FESTIVAL 448-401 Richmond Street West Toronto. Ontario M5V 3A8 Canada T 416.971.8405 F 416.971.7412 http://www.imagesfestival.com

Deadlines

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SSHRC

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'''SSHRC Image, Text, Sound and Technology'''

AGENCY: SSHRC

PROGRAM: Image, Text, Sound and Technology (ITST)

DEADLINE: 22 SEPT 2006

AMOUNT: Up to $50,000 for one year

WEBSITE: http://www.sshrc.ca/web/apply/program_descriptions/itst/workshops_e.asp

The ITST program will provide funding for researchers and their graduate students to develop expertise in applying digital multimedia technologies to their research through summer institutes, workshops and conferences.

The overall objectives of the ITST program are to:
reflect on, interpret, and analyze new digital media, multimedia, and text-based computing technologies and integrate these into humanities and social sciences research;
bring together theorists, experimentalists, and technologists from different disciplines, to share and nurture ideas and methods that challenge research to advance through the use of audio-visual and text-based technologies;
facilitate the creation of national and international networks of, and partnerships among, researchers, industries, governments, and individuals that will promote and sustain social sciences and humanities research and resources worldwide.
Please note that the following are not eligible for support under this program:
digitization of collections of images, books, or sounds;
support for routine computer applications from which little new knowledge about image, text, and sound technology will emerge;
creation of stand-alone major research tools;
research activities, already funded under other SSHRC programs, that do not need transformative multimedia and new media technologies;
development of technological infrastructure.
For further information about ITST Summer Institute, Workshop and Conference Grants, please contact:

Garry Pinard
Senior Program Officer
Strategic Programs and Joint Initiatives Division
SSHRC
350 Albert Street
P.O. Box 1610
Ottawa, ON K1P 6G4

Tel.: (613) 992-5129
Fax: (613) 947-0223
E-mail: garry.pinard@sshrc.ca

----

Research Grant Facilitators are available to assist SFU researchers to obtain research funding.
These individuals have extensive knowledge concerning funding sources and successful grant writing skills.

See http://www.sfu.ca/vpresearch/frgf.html for their names and contact numbers.

Please note that all applications/proposals/letters of intent must be approved by Research Services using an SFU Research Funding Application Signature Sheet prior to their submission. This form can be found on the web at: http://www.sfu.ca/ors/forms/sig_sheet.html and must accompany a copy of the application for ORS records when seeking University approval. Applicants are strongly advised to allow sufficient lead-time for the proper consideration at each level.

----

'''Objectives'''

It is essential for researchers in the social sciences and humanities to have the expertise necessary to carry out research in today’s rapidly evolving technological environment. For example, in 1999, SSHRC and Statistics Canada launched the Data Training Schools. This program enables researchers to learn about and apply advanced technologies to the analysis of social statistics at university-based Research Data Centres across the country. Similarly, the ITST program will help researchers refine their ability to apply digital multimedia technologies to their research on image, text and sound.

The overall objectives of the ITST program are to:

reflect on, interpret, and analyze new digital media, multimedia, and text-based computing technologies and integrate these into humanities and social sciences research;

bring together theorists, experimentalists, and technologists from different disciplines, to share and nurture ideas and methods that challenge research to advance through the use of audio-visual and text-based technologies;

facilitate the creation of national and international networks of, and partnerships among, researchers, industries, governments, and individuals that will promote and sustain social sciences and humanities research and resources worldwide.

The specific objectives of ITST Research Grants are to support projects that:

employ innovative technological tools in image, text and sound to make social sciences and humanities research more efficient, effective and comprehensive;

devise new and creative applications for technology that offer valuable models that can be applied specifically to research in the social sciences and humanities.

----

'''Description'''

SSHRC strongly encourages applicants to develop proposals for multidisciplinary teams of co-applicants, partners and collaborators that will offer the necessary range of intellectual, technical and practical expertise. Partners and collaborators may be drawn from the private and public sectors as well as from academia. Applicants may also wish to include on the team appropriate specialists from outside Canada.

Possible topics and areas to be addressed include:

electronic editing and publishing;

e-literature;

Web programming;

'''immersive and virtual environments in multimedia research;'''

textual analysis;

3 -D imaging technology;

'''creativity, culture, and computing;

digital image design;

information aesthetics;'''

computer gaming;

knowledge transfer of research results to fellow researchers, decision makers and the public at large.

Please note that this program does not support the following:

digitization of collections of images, books, or sounds;

support for routine computer applications from which little new knowledge about image, text, and sound technology will emerge;

creation of stand-alone major research tools;

research activities, already funded under other SSHRC programs, that do not involve transformative multimedia and new media technologies;

development of technological infrastructure.

----

NSERC

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'''Canada Graduate Scholarships - NSERC Doctoral'''

Award Level: Graduate

Award Sponsor: CGS / NSERC

Deadline: Internal SFU deadline

All Eligible Depts: NSERC ARCH BISC BUS CHEM CMPT EASC ECON ENSC GEOG MBB KIN LING MAST MATH STAT PHYS PSYC REM SAR SIAT

Award Value: $35,000

Number of Awards: varies

Period of Tenure: 1-3 years

Min. CGPA: 3.5

Eligibility Criteria: Canadian citizen/permanent resident, studying in NSERC fields (natural sciences and engineering). Academic excellence. Students do not apply for this award. NSERC chooses the best in the PGS-D competition.

Appl Forms From: Applications available on the Internet

Appl Forms Sent To: Student’s Department

URL (if available): www.nserc.ca

Comments: Students do not apply for this award. SFU Internal Deadline. Further information from SFU Dean of Graduate Studies. NSERC chooses from the PGS-D applications submitted by SFU. Website: www.nserc.ca

--------------------------------------------------------------------------------

'''Canada Graduate Scholarships - NSERC Masters'''

Award Level: Graduate

Award Sponsor: CGS / NSERC

Deadline: Internal SFU deadline

All Eligible Depts: NSERC ARCH BISC BUS CHEM CMPT EASC ECON ENSC GEOG MBB KIN LING MAST MATH STAT PHYS PSYC REM SAR SIAT

Award Value: $17500

Number of Awards: varies

Period of Tenure: 1-2 years

Min. CGPA: 3.5

Eligibility Criteria: Canadian citizen/permanent resident, studying in NSERC fields (natural sciences and engineering). Last year of undergraduate or first year of Masters program. Academic excellence. Students do not apply for this award. NSERC chooses the best in the PGS-M competition.

Appl Forms From: Applications available on the Internet

Appl Forms Sent To: Student’s Department

URL (if available): www.nserc.ca

Comments: Students do not apply for this award. SFU Internal Deadline. Further information from SFU Dean of Graduate Studies. NSERC chooses from the PGS-M applications submitted by SFU. Website: www.nserc.ca

Collaborative Health Research Projects (CHRP)

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'''Deadlines'''

May 1, 2006 (Phase 1: Submission of letter of intent)

June 30, 2006 (Invitation to submit a full application)

October 2, 2006 (Phase 2: Receipt of full proposal to NSERC)

April 1, 2007 (Anticipated start date of award)

Duration of Projects Up to three years

This program is jointly funded by NSERC and the Canadian Institutes of Health Research (CIHR).

----

'''Objectives'''

In the context of improved health for Canadians, the objectives of the Collaborative Health Research Projects (CHRP) program are to:

* translate research results to end users/stakeholders (the mechanism for translation must be clearly described);

* encourage the NSERC and CIHR communities to collaborate and integrate their expertise and research activities;

* advance interdisciplinary research leading to knowledge and technologies useful for improving the health of Canadians;

* train highly qualified people in collaborative and interdisciplinary research of relevance to health.

Randomized Controlled Trials (RCTs) will not be considered under this program. RCTs are defined as any study involving humans where at least two interventions are compared using random allocation, statistical methodologies and blinding techniques for the purpose of determining whether an innovative intervention leads to improved health.

However, RCT applications may be submitted to CIHR’s regular RCT program. CIHR recommends that you familiarize yourself with the RCT specific guidelines and instructions, which are fully described in CIHR Randomized Controlled Trials Program – Guidelines for Completion. Potential applicants are strongly advised to consult with CIHR RCT staff listed in the Contact section of the above Web site.

----

'''Description'''

The CHRP program supports focused collaborative research projects involving any field of the natural sciences or engineering and the health sciences. If successful, the projects will lead to health benefits for Canadians, more effective health services, or economic development in health-related areas. The proposed project may range from fundamental knowledge creation to research on knowledge application relevant to industry or public policy. Typically, support will be for up to three years for defined projects with milestones, a beginning, an end, and clear decision points.

The participation of two or more independent researchers with complementary expertise is required. Team composition must include expertise in the natural sciences or engineering, and in the health sciences. New and genuine collaborations between researchers in the natural sciences and engineering and medical researchers, clinicians, social scientists, and humanists are strongly encouraged. The onus is on the applicant to clearly demonstrate that the assembled research team under the leadership of the principal investigator collectively has the necessary expertise for successful execution of the project. Collaborators from other sectors (e.g., government and industry) and foreign researchers are welcome to participate, but are expected to bring their own resources to the project. While the participation of partners from outside the academic sector is not required, applicants are strongly encouraged to form linkages with relevant users and stakeholders.

Applicants and co-applicants applying to receive funds must hold eligible appointments at a Canadian postsecondary institution and these must take effect no later than April 1 following the year of the application. Principal applicants must be eligible under both NSERC eligibility guidelines and CIHR. Co-applicants are eligible if they meet the criteria of either NSERC or CIHR eligibility guidelines.

Governor General's Awards in Visual and Media Arts

2007-02-09T02:43:02Z

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'''Governor General's Awards in Visual and Media Arts'''

http://www.canadacouncil.ca/prizes/ggavma/default.htm

The Governor General’s Awards in Visual and Media Arts, Canada’s foremost distinctions for excellence in these artistic disciplines, were presented for the first time in 2000. The Canada Council funds and administers the awards.

Six prizes are awarded annually to visual and media artists for distinguished career achievement in fine arts (painting, drawing, photography, print-making and sculpture, including installation and other three-dimensional work), applied arts (architecture and fine crafts), independent film and video, or audio and new media. One prize is awarded annually for outstanding contributions to the visual and / or media arts in a volunteer or professional capacity. The value of each award is $15,000. An independent peer jury of senior visual and media arts professionals selects the winners.

Grants to New Media and Audio Artists

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Canada Council for the Arts

2007-02-09T02:40:56Z

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'''[[Grants to New Media and Audio Artists]]'''

October 1, 2006
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'''[[Governor General's Awards in Visual and Media Arts]]'''

1) Professional Development Assistance

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'''Professional Development Assistance'''

http://www.bcartscouncil.ca/print.php?active_page=767

This program assists professional artists or arts administrators with specific professional development opportunities that advance their practice or career.

In carrying out its mandate the British Columbia Arts Council is guided by its fundamental commitment to artistic excellence.

The Council has also articulated the following strategic priorities to inform applicants in the development of their requests to all Council programs. These priorities will be considered by advisory committees during adjudication of applications:

the improved sustainability of all BC arts and cultural organizations;

inclusion of diverse artistic practices;

encouragement of emerging artists;

development of new art forms; and

expansion of opportunities for regional participation.

BC Arts Council programs are accessible to aboriginal artists or arts organizations and artists or arts organizations from diverse cultural and regional communities of British Columbia.

There are three categories of Professional Development Assistance:

1. Study Assistance

2. Project Assistance

3. Travel Assistance

The description of and criteria for each category are below, following the general eligibility criteria.

----

GUIDELINES

General Eligibility Criteria

Under normal circumstances, to be eligible, an applicant must:

be a Canadian citizen or Permanent Resident and have lived in British Columbia for one year or longer;

be a professional artist or arts administrator in the disciplines of creative writing, dance (performance, choreography), media arts (filmmaking, integrated media, video art), multi-disciplinary studies, museology and conservation studies, music (performance, composition), publishing studies, theatre (acting, directing, technical, design), or visual arts (creation, curation);

have completed basic training in their discipline, and no longer be enrolled in full-time studies;

be recognized by senior practitioners in the same discipline, have a professional body of work and/or work history of two or more years subsequent to basic training, and be committed to working full-time at their practise when financially possible;

if the applicant is changing disciplines, have been a professional for at least five years subsequent to basic training; and

have completed and submitted final reports for any outstanding project assistance provided through the BC Arts Council.

Exclusions

Under normal circumstances, awards are not available for the creation of new work(s) or for full-time winter studies. Other programs of the BC Arts Council may be appropriate for these activities.

Ineligible expenses include: production of promotional materials such as audition tapes and portfolios; purchases of equipment; and expenses incurred prior to the application date.

----

'''Specific Eligibility Criteria'''

2. Project Assistance

Professional Development – Project Assistance is intended to assist individuals who wish to pursue professional or career development that is not course- or institution-based. Such development may include assistant directorships, apprenticeships, internships, mentorships, or other opportunities.

Applicants must:

1. provide a statement describing the potential professional development benefits of an award;

2. provide at least one letter of assessment of their project from a senior artist or practitioner in their discipline;

3. demonstrate that the applicant and not a sponsoring organization or company will gain the primary benefits of an award.

Assistance is available to assist with 50% of project costs up to $5,000. An applicant may not receive awards in this category in consecutive fiscal years.

Eligible expenses may include living expenses, specialized equipment and supplies, travel and accommodation, per diems, and fees paid to mentors, advisors, or instructors.

----

'''Application Requirements'''
All applicants must discuss their project proposal with a program co-ordinator prior to submitting an application.

Applications require detailed submissions, and must include:

1. a signed, completed application form that addresses all application requirements and includes details of the course, learning plans, development benefits, or travel objectives, as applicable, and a balanced budget that specifies any deferred or donated costs and all sources of revenue;

2. a CV of the applicant that includes professional training and related artistic or administrative activities; and
(for study assistance) a copy of a letter of acceptance from the institution or instructor;

3.(for project assistance) a letter of assessment of the project from a recognized professional in the applicant’s discipline; or

4.(for travel assistance) a copy of an invitation to present or accompany work.

British Columbia Arts Counsil

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'''Media Arts : Arts Awards For Individuals'''

[[1) Professional Development Assistance]]

[[2) Project Assistance for Media Artists]]

Grants

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'''[[SSHRC]]'''

DEADLINE: 22 SEPT 2006

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'''[[NSERC]]'''

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'''[[Collaborative Health Research Projects (CHRP)]]'''

May 1, 2006

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'''[[Canada Council for the Arts]]'''

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'''[[British Columbia Arts Counsil]]'''

Dgr Feral Phenomology Lecture - October 20th, 2007

2007-02-09T02:34:12Z

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January 30, 2007

2007-02-09T02:32:19Z

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== '''To Do List:''' ==

*Moving the Faraday Cage
*Getting a G5 Computer for video editing.
*Contact Naranjan about use of the rooms in the hallway and control room
computer.
*Switching Lab to old colloquium room. Is this possible? What are the
benefits?
*Contact Margaret Dolinsky about Virtools
*Have Ryan do a one page meatbook webpage/Postcards?
*Aaron: Design a way to track student progress in the lab

== '''Discussion''' ==

'''Lab Space:'''
*Everyone has a space except Jack Sam.
*The Faraday Cage will be removed from the smaller room.
*Can put 3 people into that
*Aaron: Bring Windchime into small room
*Gordon has 2 G4s to use

'''Visiting Faculty: Martin'''
*Settled into his room
*Art Background and Graphic Design

'''Missing Computer:'''
*Seems not to be a problem .
*Probably is somewhere in the research area. Don't need to worry about it according to Gordon.

'''Acccess to computers:'''
*Denise's old computer by Gordon's office for video editing
*Diane will get a G5 Computer for video editing.
*Meehae will get a G4.

'''Faculty Collaboration:'''
*Can we find ways to work with Naranjan?
*Who else can we work with? Existing and new faculty.

== '''Individual Topics''' ==

'''Diane:'''
*Diane is getting her dissertation done. This is her biggest priority right now.

'''Jack Sam:'''
*Get Ethics Approval

'''Aaron:'''
*MeatBook
*Meehae has face masks to use for the meatbook.
*Photo Store: Look for hard case suitcase to ship things in.
*Get laptop from Gordon.
*Order 2 LCD Screens
*Keep costs under $500 (not including shipping)
*Ryan will do visuals
*Diane will do storyboard for LCD screens

'''Jinsil'''
*Working on project for NIME
*Chapter for book
*Big Conferences to apply to:
*ISEA
*Ars Electronica
*SIGGRAPH

'''Meehae:'''
*Meehae and Steven in VR Reading Group
*Will be trying to develop a system for research use
*Getting Virtools Running
*Diane will help get things going by writing letters
*Contact Mona with thought technologies
*Diane will email Margaret Dolinsky about Virtools
*Other VR Artists: Yacov and Sharir (UT)
*Stephen Wilson @ ucsf - Listing of interactive art projects. EEG one of particular interest

'''Kirsten'''
*Making a demo of a system that generates Narratives from a database and utilizes film footage. Wants to use Max/MSP
*Look at Repentance (Soviet) and Like Water For Chocolate for uses of Magical Realism in film.
*Contact Penny Simpson (SFU Burnaby Library) about copyright info for fair use of the film Shortcuts

'''At end of February going to the HIT Lab.'''
*Add to wiki.

Feral Computing Lab Meeting

2007-02-09T02:32:04Z

Jsama:

'''[[Dgr Feral Phenomology Lecture - October 20th, 2007]]'''

'''[[January 30, 2007]]'''

Main Page

2007-02-09T02:30:51Z

Jsama:

== '''Feral Computing Lab''' ==

School of Interactive Arts and Technology(SIAT), Simon Fraser University

Professor: '''Diane Gromala'''

The BioMedia Studio is dedicated to creatively exploring
the relationships among art, technology, and the biosciences. Our interests range across disciplines: biomedical phenomenology, open source DNA, visceral forensics, genome hacking, affective biometrics, and biomolecular networking.

Projects in the BioMedia Lab emphasize the role that aesthetics, design, and representation play in our broad understanding of biotechnology, biomedicine, and related fields. Many projects involve collaboration with SFU colleagues and students in computer science, biomedical engineering, bioinformatics, electrical engineering, and architecture.

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'''[[People]]'''

----

'''[[Projects]]'''

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'''[[Publications]]'''

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'''[[Conferences, Festivals]]'''

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* PRIX Ars Electronica 2007 http://www.aec.at/en/prix/ 
     Entry Deadline : '''09 March 2007''' 

* Juried International Networked Art Competition http://transition.turbulence.org/comp_07/guidelines.htm 
     Call for Proposals '''31 March 2007''' 

* New Forms Festival 2007 http://www.newformsfestival.com/nff06/ 
     Entry Deadline : '''01 April 2007'''. Online Submission : http://www.newformsfestival.com/submissions/submission.php 

* 34th International Conference and Exhibition on Computer Graphics and Interactive Techniques (''SIGGRAPH2007'') http://www.siggraph.org/s2007/ 
     Short Papers & Posters Deadline : '''27 April 2007''' 
     Conference 5-9 August 2007 Exhibition 7-9 August 2007, San Diego Convention Center, San Diego, CA, USA 

* 17th International Conference for Artificial Reality and Telexistence (''ICAT2007'') http://www.icat2007.org/ 
     Call for Papers Deadline : '''01 July 2007''' 
     28-30 November 2007 Aalborg University, Esbjerg, Denmark 

'''[[Deadlines]]'''

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'''[[Grants]]'''

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'''[[Feral Computing Lab Meeting]]'''

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[[http://sr-vagus.iat.sfu.ca/~jhave/feral/ Projects ]]